Dr. Na’im Akbar and Dr. Asa Hilliard On Voices From the Village
“Voices From the Village” host, Chris Moore, conducts a 1995 interview with psychologists, Dr. Na’im Akbar (Florida State University) and the late Dr. Asa Hilliard (Georgia State University). The three discuss issues covering the legitimacy of Afrocentric scholarship, education, family value systems, and the American prison system. Broadcast Date: September 09, 1995 (3 Video Playlist)
Black Psychology eBook, Edited by Dr. Reginald L. Jones (1972 Edition)
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BLACK PSYCHOLOGY: Thirty-six articles by black psychologists and behavioral scientists provide new data and provocative reinterpretations of the psychological literature on blacks. Emphasizing applied problems this volume presents both original and previously published papers which illuminate the range of activities that characterize this new area. BLACK PSYCHOLOGY offers insightful research commentaries and presents a variety of views on counseling, education, racism, and the applications of psychology in the community. It examines the issues associated with the psychological assessment of blacks, especially the problem of effectively testing blacks in school settings. The role of the black psychologist as a professional in the community is considered. (From the back cover.)
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Hip Hop/Rap: The Culture vs The Industry and The White Supremacy Factor
Introduction: The evolution of hip-hop, from its grassroots origins as a form of cultural expression within marginalized communities to its contemporary manifestation as a global commercial entity, encapsulates a complex narrative. This brief outline and it’s associated videos, including the Dr. Amos Wilson lectures, endeavors to critically examine the trajectory of hip-hop, delineating the tensions between its cultural authenticity and its Black dehumanization and commodification within the music industry. Moreover, it elucidates the role of the system, business and culture of white world terror domination in shaping and perpetuating these dynamics.
Historical Context and Cultural Genesis: Rooted in the African American experience, hip-hop emerged as a transformative medium during the latter half of the 20th century. Pioneered by figures such as Grandmaster Flash, Kool Herc, and Afrika Bambaataa, hip-hop was initially imbued with a spirit of celebration, creativity, and community cohesion. Its genesis within the Bronx marked a seminal moment in the cultural landscape of America, offering a platform for marginalized voices to articulate their realities and aspirations.
Commercialization and Cultural Degradation: However, as hip-hop gained traction beyond its local origins, it underwent a process of commercialization that veered away from its foundational ethos. The emergence of gangsta rap, characterized by themes of violence, materialism, and misogyny, represents a notable divergence from hip-hop’s original intent. This transformation, often attributed to corporate interests seeking profit through exploitative narratives, has led to a dilution of hip-hop’s cultural significance and social utility.
White Supremacy and Cultural Hegemony: Central to the commodification of hip-hop is the pervasive influence of white supremacy within the music industry. The imposition of a whitewashed corporate agenda has perpetuated narratives that reinforce negative stereotypes and undermine the agency of Black and Brown communities. Dr. Amos Wilson’s concept of “black self-annihilation in service of white domination” aptly characterizes the insidious mechanisms at play, wherein cultural expression becomes co-opted to serve hegemonic interests.
Socio-Political Implications and Resistance: The proliferation of commercialized rap music not only perpetuates harmful narratives but also exacerbates existing socio-political inequalities. By glorifying violence, materialism, and individualism, mainstream rap perpetuates a cycle of disempowerment and alienation within marginalized communities. However, resistance movements within hip-hop, exemplified by artists such as Public Enemy, Paris, Wise Intellignt, KRS-1, X-Clan, Dead Prez, and many more continue to uphold the spirit of conscientious activism and cultural revitalization.
In Conclusion: The dichotomy between hip-hop as a cultural force and hip-hop as an industry commodity underscores broader issues of systemic oppression and cultural hegemony. While commercial interests have sought to co-opt and sanitize hip-hop for mass consumption, grassroots movements persist in reclaiming its authenticity and socio-political relevance. Addressing the pervasive influence of white supremacy within the music industry is imperative to safeguarding hip-hop’s legacy as a tool for liberation and social change.
RBG Street Scholar, April, 2024
The secret relationship between Hip Hop (“Industry”) and Jews.
Gangster rap was never black culture. It was created by the Feds, who proferred deals to homosexual black men in prison and then turned them into artificial celebrities. The goal was to create false idols to destroy black American values.
Hip Hop/Rap: The Culture vs The Industry and The White Supremacy Factor
Introduction: The evolution of hip-hop, from its grassroots origins as a form of cultural expression within marginalized communities to its contemporary manifestation as a global commercial entity, encapsulates a complex narrative. This brief outline and it’s associated videos, including the Dr. Amos Wilson lectures, endeavors to critically examine the trajectory of hip-hop, delineating the tensions between its cultural authenticity and its Black dehumanization and commodification within the music industry. Moreover, it elucidates the role of the system, business and culture of white world terror domination in shaping and perpetuating these dynamics.
Historical Context and Cultural Genesis: Rooted in the African American experience, hip-hop emerged as a transformative medium during the latter half of the 20th century. Pioneered by figures such as Grandmaster Flash, Kool Herc, and Afrika Bambaataa, hip-hop was initially imbued with a spirit of celebration, creativity, and community cohesion. Its genesis within the Bronx marked a seminal moment in the cultural landscape of America, offering a platform for marginalized voices to articulate their realities and aspirations.
Commercialization and Cultural Degradation: However, as hip-hop gained traction beyond its local origins, it underwent a process of commercialization that veered away from its foundational ethos. The emergence of gangsta rap, characterized by themes of violence, materialism, and misogyny, represents a notable divergence from hip-hop’s original intent. This transformation, often attributed to corporate interests seeking profit through exploitative narratives, has led to a dilution of hip-hop’s cultural significance and social utility.
White Supremacy and Cultural Hegemony: Central to the commodification of hip-hop is the pervasive influence of white supremacy within the music industry. The imposition of a whitewashed corporate agenda has perpetuated narratives that reinforce negative stereotypes and undermine the agency of Black and Brown communities. Dr. Amos Wilson’s concept of “black self-annihilation in service of white domination” aptly characterizes the insidious mechanisms at play, wherein cultural expression becomes co-opted to serve hegemonic interests.
Socio-Political Implications and Resistance: The proliferation of commercialized rap music not only perpetuates harmful narratives but also exacerbates existing socio-political inequalities. By glorifying violence, materialism, and individualism, mainstream rap perpetuates a cycle of disempowerment and alienation within marginalized communities. However, resistance movements within hip-hop, exemplified by artists such as Public Enemy, Paris, Wise Intellignt, KRS-1, X-Clan, Dead Prez, and many more continue to uphold the spirit of conscientious activism and cultural revitalization.
In Conclusion: The dichotomy between hip-hop as a cultural force and hip-hop as an industry commodity underscores broader issues of systemic oppression and cultural hegemony. While commercial interests have sought to co-opt and sanitize hip-hop for mass consumption, grassroots movements persist in reclaiming its authenticity and socio-political relevance. Addressing the pervasive influence of white supremacy within the music industry is imperative to safeguarding hip-hop’s legacy as a tool for liberation and social change.
RBG Street Scholar, April, 2024
Hip Hop Classics Vol. #1
RBG| HIP HOP and SUBLIMINAL SYMBOLISM | DR. AMOS WILSON VIDEO EDUCATION PLAYER
RBG Communiversity: Message 2 Da Grassroots 
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