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Overview
Outline
I. Introduction
II. Historical Context
III. Government Involvement in Drug Trafficking
IV. Drugs as Tools for Social Control
V. Case Studies
VI. Contemporary Implications
VII. Conclusion
Significance
Detailed Exploration of Key Themes and Arguments
1. Historical Context of Drug Use in America
2. Government Involvement in Drug Trafficking
3. Drugs as Tools for Social Control
4. Media and Propaganda
5. Case Studies
6. Contemporary Implications
Broader Implications
Conclusion
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In 1988, during a concert by Boogie Down Productions and Public Enemy, a young fan was killed in a fight. The killing occurred shortly after Scott La Rock, a founding member of Boogie Down Productions, was killed in a shooting. KRS-One responded to these deaths by forming the Stop the Violence Movement to advance a vision of Hip Hop that would restore what he called Hip Hop’s original principles to the music industry. Composed of some of the biggest stars in contemporary East Coast Hip Hop, the movement released a single, “Self Destruction”, in 1989, with all proceeds going to the National Urban League. A music video was created, and a VHS cassette entitled Overcoming Self-Destruction—the Making of the Self-Destruction Video was also released.
Stop the Violence: Overcoming Self-Destruction. George, Nelson, Ed. The story of the Stop the Violence movement among rap music artists and music industry colleagues is told, along with the story of a video that was produced as part of this initiative. The Stop the Violence project grew out of the reaction to violence among concert goers at a 1987 rap concert on Long Island (New York). Rap musicians have joined projects that are centered around the “Self-Destruction” video, which is a rap performance calling for an end to violence and promoting positive action by young people to combat crime. The book contains lyrics, statements by the rappers, statistics about urban violence, letters from young people about their experiences of black-on-black crime, and the story of the Stop the Violence movement. Comments by the artists complement the project. Contains a 32-item reading list prepared by some contributors. (Source: https://eric.ed.gov/?id=ED377284)
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Rebirth of a Nation is a collaborative studio album by hip hop group Public Enemy and rapper/producer Paris. Its title is a reference to the 1915 white supremacist film The Birth of a Nation as well as one of the group’s prior albums, It Takes a Nation of Millions to Hold Us Back. Despite the Public Enemy branding on the album, many tracks were written and produced by Paris; the album itself was deemed a “special project” by Chuck D in order to differentiate it from other Public Enemy works. It was released on March 7, 2006 through Guerrilla Funk Recordings with distribution via Caroline Distribution. The album was mixed and mastered at Data Stream Studio in San Francisco, California. The album features guest appearances from Dead Prez, MC Ren, Kam, Sister Souljah, The Conscious Daughters, Immortal Technique and Professor Griff. Rebirth of a Nation peaked at number 180 on the Billboard 200 albums chart in the United States and sold 5,592 units in its first week out. wiki/Rebirth_of_a_Nation
My FAV_RBG| PE-PARIS-, Hard Rhymin-f. Sista Souljah




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