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Langan reclaims neo-colonialism as an analytical force for making sense of the failure of ‘development’ strategies in many African states in an era of free market globalization. Eschewing polemics and critically engaging the work of Ghana’s first President – Kwame Nkrumah – the book offers a rigorous assessment of the concept of neo-colonialism. It then demonstrates how neo-colonialism remains an impediment to genuine empirical sovereignty and poverty reduction in Africa today. It does this through examination of corporate interventions; Western aid-giving; the emergence of ‘new’ donors such as China; EU-Africa trade regimes; the securitisation of development; and the UN Sustainable Development Goals. Throughout the chapters, it becomes clear that the current challenges of African development cannot be solely pinned on so-called neo-patrimonial elites. Instead it becomes imperative to fully acknowledge, and interrogate, corporate and donor interventions which lock many poorer countries into neo-colonial patterns of trade and production. The book provides an original contribution to studies of African political economy, demonstrating the on-going relevance of the concept of neo-colonialism, and reclaiming it for scholarly analysis in a global era. (Source:
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Last Updated 01-24-2025

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“Red, Black and Green: Black Nationalism in the United States” by Alphonso Pinkney is a comprehensive examination of the history, ideology, and impact of Black Nationalism in the U.S. The book delves into the various movements and figures that have shaped Black Nationalist thought from the early days of American slavery to the late 20th century. Pinkney analyzes the cultural, political, and economic dimensions of Black Nationalism, exploring its significance in the broader context of the African American (New Afrikan) struggle for freedom and self-determination. Through this lens, the book examines how Black Nationalism has evolved and influenced contemporary discussions on race and identity.
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In 1988, during a concert by Boogie Down Productions and Public Enemy, a young fan was killed in a fight. The killing occurred shortly after Scott La Rock, a founding member of Boogie Down Productions, was killed in a shooting. KRS-One responded to these deaths by forming the Stop the Violence Movement to advance a vision of Hip Hop that would restore what he called Hip Hop’s original principles to the music industry. Composed of some of the biggest stars in contemporary East Coast Hip Hop, the movement released a single, “Self Destruction”, in 1989, with all proceeds going to the National Urban League. A music video was created, and a VHS cassette entitled Overcoming Self-Destruction—the Making of the Self-Destruction Video was also released.
Stop the Violence: Overcoming Self-Destruction. George, Nelson, Ed. The story of the Stop the Violence movement among rap music artists and music industry colleagues is told, along with the story of a video that was produced as part of this initiative. The Stop the Violence project grew out of the reaction to violence among concert goers at a 1987 rap concert on Long Island (New York). Rap musicians have joined projects that are centered around the “Self-Destruction” video, which is a rap performance calling for an end to violence and promoting positive action by young people to combat crime. The book contains lyrics, statements by the rappers, statistics about urban violence, letters from young people about their experiences of black-on-black crime, and the story of the Stop the Violence movement. Comments by the artists complement the project. Contains a 32-item reading list prepared by some contributors. (Source: https://eric.ed.gov/?id=ED377284)
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For more like this visit RBG Communiversity’s eLibrary | Hip Hop/Rap Music _ eBooks & Video Edu Folder
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